Critics have had the opportunity to watch M. Night Shyamalan’s opus of opusness The Last Airbender. I think they loved it.
Check out Roger Ebert’s glowing praise:
“The Last Airbender” is an agonizing experience in every category I can think of and others still waiting to be invented. The laws of chance suggest that something should have gone right. Not here. It puts a nail in the coffin of low-rent 3D, but it will need a lot more coffins than that.
Did you read that? More coffins! I think this bodes well for a sequel. Ebert gives The Last Airbender a full 1/2 stars out of four, which is the “secretly a masterpiece” rating that only Ebert’s truest fans know about. Because it kind of looks like a winking eye. Get it? Shhhh!
Or try on Charlie Jane Anders’ paean to Shyamalan’s mastery from her io9.com review:
In the middle of a summer of proctologically un-thought-out action movies, The Last Airbender breezes past self-parody into a full-on comedy assault that will have you hearing Shyamalan’s mocking laughter in your sleep.
And Keith Phipps of the Onion AV Club implicitly likens the film to a black hole, which as you know is one of the most impressive and mysterious bodies in the universe:
The Last Airbender isn’t that much different from the rest of this summer’s generally dire multiplex fare—from The A-Team to Jonah Hex—which started with established properties and half-decent ideas, then cranked up the volume, velocity, and effects to the point where neither sense nor tender moments could escape. But it is remarkable in one respect: It’s the worst of them.
If I may be serious for a moment: is it too much to ask that no one give M. Night Shyamalan any movie deal ever again? He should driven into the hills with fire and pointed sticks, there to live out his days until some teen campers with a Flip camera discover his hillbilly murder shed.


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